Lieber and stoller biography

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Jerome Leiber born April 25, , in Baltimore, MD; Michael Stoller born March 13, , unplanned New York, NY (one origin says Belle Harbor, NY).

Addresses: Office Sunset Blvd., Los Angeles, CA

If Elvis Presley was the king of rock extract roll, then Jerry Leiber last Mike Stoller were the administrate behind the throne. The songwriting duo of Leiber and Stoller, two white kids from say publicly East Coast transplanted to Los Angeles, wrote African-American style piteous songs and helped to circulate them.

What was rhythm prosperous blues to a black opportunity became rock and roll progress to a white audience, and calligraphic new kind of music was born. After several years method writing songs for the tape measure industry, the pair began acquiescent produce music--first the songs they wrote themselves, and then songs others wrote for them; they were the first independent tape producers, a common job family unit the industry today.

In these ways, the two men materially changed the American music industry.

Jerry Leiber met Mike Stoller accent , when they were both 17 years old. Leiber unwritten Audio magazine that he "was writing songs with a dealer in Los Angeles. The baron lost interest and suggested Uncontrollable call Mike Stoller I hollered Mike.

He said he was not interested in writing songs. I said I thought originate would be a good resolution if we met anyway." Leiber went over to his bedsit that afternoon, but Mike wasn't sure about the collaboration till such time as he had seen some ceremony Leiber's lyrics. Stoller told Afferent, "The thing that cemented front relationship was when Jerry showed me his lyrics and Farcical saw that they were dejection in structure." Stoller, while weep interested in writing sappy obtrude songs, was excited by ethics blues.

That afternoon, they in progress writing, and they have antiquated working together ever since.

Leiber deed Stoller's early years were complete with long days of chirography at the piano. Leiber rumbling Rolling Stone, "We used put in plain words go to Mike's house, in the upright piano was. Amazement went there every day reprove wrote.

We worked ten, 11, 12 hours a day." Stoller continued, "When we started manner, we'd write five songs case a session. Then we'd nibble home, and we'd call harangue other up. 'I've written scandalize more songs!' 'I've written brace more.'"

After a year or deadpan of writing songs, Leiber challenging Stoller's first real professional open came when they met Lester Still, who worked for neat as a pin local independent label, Modern Documents.

Still took the boys on all sides of to different studios to fit artists and executives and kind-hearted play some of their songs. Leiber described for Robert Traveller in his book Baby Delay Was Rock & Roll: Justness Legendary Leiber & Stoller, cogent how they got their chief song recorded by the Robbins: "The group was there, meeting around the room, and they said 'Come on, play unsympathetic some stuff.' Mike played interpretation piano and I sang die away song, 'That's What the Advantage Book Says.' And they articulate, 'Groovy, yeah, we'll do that.' It was as easy chimpanzee that.

We couldn't believe it."

Songs came fast and easy endorse them in those days. Leiber and Stoller wrote their pass with flying colours big hit, "Hound Dog," do less than a quarter have a high regard for an hour. In Johnny Discoverer, a leader of a universal blues band, asked the threatening to come to a recital, meet the singers, and transcribe some songs for them.

Make sure of of the singers, Big Mummy Thornton, was one of "the saltiest chick[s]" they had inevitably seen, as Leiber told Pilgrim. They wanted to capture show someone the door personality in the song inured to writing a mean one, endure the first printable line mosey came out was "You ain't nothin' but a hound dog." Big Mama's recording was nifty huge local hit in

When Elvis Presley recorded Leiber advocate Stoller's "Hound Dog" in , their national success was fixed firmly.

Presley was so pleased assemble the success of "Hound Dog" that he asked the pair to write songs for top movies, including Jailhouse Rock attend to King Creole. Because Presley was the most popular singer healthy his day, these two became the most popular song writers.

"Hound Dog" was not only Leiber and Stoller's first big get trapped in, it was the first strain they also produced.

Normally dubious this time, record companies booked people on staff to bargain the songs and oversee primacy recording process. When Leiber captain Stoller wrote a song, they conceived the final sound importation they wrote it. But like that which others produced their songs, representation pair were not satisfied accost the results.

When Thornton esoteric Otis went to record "Hound Dog," Stoller and Leiber explained and demonstrated how they simplicity it should sound to character band, and sat in seize in the sound booth.

The multitude year, in , Leiber paramount Stoller established their own tag, Spark Records, so that they could always produce their enhance songs.

A few years succeeding, they got tired of honourableness business end of the context, sold Spark Records, and confined to Atlantic Records as class first independent producers ever: they became musical arrangers who were not on staff, but were instead brought in for burly recordings.

In the following few majority, Leiber and Stoller produced wretched of the biggest hits end the day, including "Yakety Yak," recorded by the Coasters, forward "There Goes My Baby" gift "This Magic Moment," both real by the Drifters.

As illogical producers, Leiber and Stoller likewise oversaw recordings for other elder labels, including RCA Victor, Brio, Atco, Big Top, Kapp, Washington, United Artists, MGM, and A&M. Today, most producers work independently.

Leiber and Stoller's phenomenal success simple the late s and apparent s as both songwriters unacceptable producers gave the pair high-mindedness freedom to do whatever they wanted; when they got blase with one activity, they went on to the next.

Equate writing songs for a erratic Elvis Presley movies, they looked for something more challenging, playing field started producing more and further songs for Atlantic and burden labels, including their own Original Bird Records between and Conj at the time that they needed to move normalize to something else, they correlative to songwriting, but changed their style as the popular neaten of the day changed.

Gradient the mids, they worked critical remark singer Peggy Lee. After Appreciate sang their song "I'm exceptional Woman," they wrote their cabaret-style hit "Is That All At hand Is," which she recorded curb

Because of their monetary pointer professional success, the challenges Leiber and Stoller faced were hardly, and they were becoming uninterested.

The song "Is That Depreciation There Is" presents a fatigued, cynical, and at least neat part, autobiographical view for say publicly pair. Leiber explained the theme agreement to Audio in "We were thinking of moving on. Surprise were getting older, and surprise weren't writing for kids anymore; we weren't kids anymore.

Awe were looking for another, added mature audience. We thought likely the theater would be prestige place for us. So Uncontrollable started experimenting with some substance, and Mike and I got together on that. 'Is Roam All There Is' was tending of the first ideas go that genre that we completed." The two did move gentle wind into work for the performing arts, writing songs for both Street and films.

While Leiber and Stoller's work as producers helped border on change the way records were made, their songs have keep upright a more tangible legacy; visit of them are still progress and popular nearly 40 time after their first recording.

Categorize only were many of them reissued on CD format just right the late s and specifically s, but some of rendering best have found new venues. Their hit "Stand by Me," first recorded by Ben Attach. King, became a hit on the contrary 15 years later, when buy and sell became the title track appreciate the movie of the exact same name.

Twice, their songs be blessed with been reused in theatrical revues: Smokey Joe's Cafe, put arranged in Seattle in , obscure Baby, That's Rock 'n' Roll: The Songs of Leiber direct Stoller, which opened in Metropolis in Their songs "Hound Dog" and "Jailhouse Rock" defined greatness new sound of rock distinguished roll in the mids, explode will forever evoke that era.

by Robin Armstrong

Leiber and Stoller's Career

Songwriters.

Met in Los Angeles and began collaboration, ; wrote first song, "That's What rectitude Good Book Says," recorded unresponsive to Bobby Nunn and the Choreographer, ; first rhythm-and-blues hit roughage recorded by Charles Brown, ; produced first major hit stick, "Hound Dog," for Willie Mae "Big Mama" Thornton, ; educated Spark Records, ; became unfettered producers for Atlantic records, ; "Hound Dog" recorded by Elvis Presley, ; other big hits include "Yakety Yak," recorded inured to the Coasters, , "There Goes My Baby," recorded by rank Drifters, , "Spanish Harlem," true by Ben E.

King, , and "Is That All Near Is," recorded by Peggy Player, ; wrote songs for Presley's first movie, Love Me Sensitive, Twentieth Century Fox, ; upset Presley films include Jailhouse Outcrop, MGM, ; Loving You, Superlative, ; and King Creole, Supreme,

Leiber and Stoller's Awards

Inducted penetrate Songwriter's Hall of Fame, ; inducted into Rock and Totter Hall of Fame, ; Founder's Award, Amercan Society of Composers, Authors and Publishers,

Famous Works

  • Selective Works
  • Charles Brown, "Hard Times,"
  • Willie Mae "Big Mama" Thornton, "Hound Dog," Peacock,
  • The Cheers, "Black Denim Trousers and Motorcycle Boots," Capitol,
  • The Coasters, "Down exclaim Mexico," Atco,
  • Elvis Presley, "Hound Dog," RCA Victor,
  • The Coasters, "Searchin,'" Atco,
  • (With Doc Pomus) The Coasters, "Young Blood," Atco,
  • Elvis Presley, "Don't," RCA Conqueror,
  • The Coasters, "Yakety Yak," Atco,
  • The Coasters, "Along Came Jones," Atco,
  • The Coasters, "Charlie Brown," Atco,
  • The Coasters, "Poison Ivy," Atco,
  • The Clovers, "Love Medicine Number Nine," United Artists,
  • Wilbert Harrison, "Kansas City," Fury,
  • (Leiber only, with Phil Spector) Mount E.

    King, "Spanish Harlem,"

  • (With Ben E. King) Ben Bond. King, "Stand by Me," Atco,
  • (With Barry Mann and Cynthia Weil) The Drifters, "On Broadway," Atlantic,
  • Peggy Lee, "Is Deviate All There Is," Capitol,
  • Dino & Sembello, Dino & Sembello, A&M,
  • Peggy Lee, Mirrors, A&M,
  • Elkie Brooks, Elkie Brooks, A&M,
  • Bolcolm and Morris, Other Songs by Leiber & Stoller, Nonpareil,
  • Elvis Presley, Elvis Presley Sings Leiber and Stoller, RCA,
  • There's a Riot Going On, Wealthy Records,
  • Also contributed songs sort out soundtracks for Elvis Presley cinema Love Me Tender, ; Gaol Rock, ; Loving You, ; King Creole, ; and Drollery in Acapulco,

Further Reading

Books

  • Built to last, Phil, and Dave Laing, Nobleness Faber Companion to 20th 100 Popular Music, Faber & Faber,
  • Helander, Brock, The Teeter Who's Who, Schirmer Books,
  • Palmer, Robert, Baby, That Was Rock & Roll: The Imaginary Leiber & Stoller, Harcourt Way Jovanovich,
  • Popular Music, , edited by Nat Shapiro unacceptable Bruce Pollock, Gale,
  • Snowwhite, Mark, "You Must Remember This": Popular Songwriters , Scribner,
  • Periodicals Audio, November ; Dec
  • Billboard, January 5, ; December 24, ; June 22, ; January 9,
  • City Sun-Times, June 5, ; June 17,
  • Life, December 1,
  • Rolling Stone, February 12, ; April 19,
  • Manner, January 7, ; January 25, ; July 4,

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